Yesterday at the Rijksmuseum in Amsterdam Ernst van de Wetering, head of the Rembrandt Research Group, gave a sixth and final presentation of a sizable catalogue of Rembrandt’s works in which 70 ‘new’ paintings have been added.
Determining whether or not an artwork is the real deal is a science that either devalues or upgrades paintings, changing history in the process. Before saying it’s a Rembrandt or an artwork of one of his pupils or contemporaries, the paintings had to undergo the scrutiny of X-rays, infrared, checking the layers of paint, varnish, canvas, and anything else that would prove that it was authentic.
Rembrandt’s oeuvre now consists of 340 paintings, much to the delight of museums such as the Louvre in Paris and even the Rijksmuseum that now has more real Rembrandts on display. The painting in this posting, ‘Old Man with Beard’, was added to Rembrandt van Rijn’s portfolio in 2011.
Ernst van de Wetering’s catalogue is entitled ‘A Corpus of Rembrandt Paintings’, the definite guide for now until technology might make restorers and others reopen the case.
(Link: www.telegraaf.nl, Image: Old Man with Beard, from 1630)
As promised last week I have posted my photos of the Rietveld graduation exhibition to 
Some of the works, such as the dog above, were displayed without any explanation of what the student was trying to say—probably not necessary with a Disney-like creature anyway—or even the name of the maker. (There were sticky notes carrying the name Tim Maarse near this sculpture, but it wasn’t quire clear if the sticky notes referred to the sculpture or were a work unto themselves).
